LIFELIKE ARTIFICIAL FLOWERS & FAUX PLANTS
Flowers that hold up to a second look.
Most artificial flowers are made to be seen from across a room. Ours are made to be picked up — coated petals, moulded leaf veins, and colour that runs out unevenly the way it does on a real stem.


LIFELIKE ARTIFICIAL FLOWERS & FAUX PLANTS
Flowers that hold up to
a second look.
Most artificial flowers are made to be seen from
across a room. Ours are made to be picked up —
coated petals, moulded leaf veins, and colour that
runs out unevenly the way it does on a real stem.

LIFELIKE ARTIFICIAL FLOWERS & FAUX PLANTS
Flowers that hold up to a second look.
Most artificial flowers are made to be seen from across a room. Ours are made to be picked up — coated petals, moulded leaf veins, and colour that runs out unevenly the way it does on a real stem.
We wanted flowers that would still be beautiful a year from now — not just on the day they arrived.
We wanted flowers that would still be beautiful a year from now — not just on the day they arrived.
We wanted flowers that would still be beautiful a year from now — not just on the day they arrived.
SHOP BY CATEGORY
Seven ways in
Where to start, by what you are actually looking for — a stem, a finished piece, or a whole table.
SHOP BY CATEGORY
Seven ways in
Where to start, by what you are actually looking for — a stem, a finished piece, or a whole table.
SHOP BY CATEGORY
Seven ways in
Where to start, by what you are actually looking for — a stem, a finished piece, or a whole table.
MOST LOVED
Best sellers
Artificial Larch Branch
$31.67Faux Fir Spray
$31.67Artificial Pine Spray with Cones
$26.39Artificial Sunflower Stem
$31.67Artificial Rose Posy
$38.27Artificial Snake Plant Pick
$15.83Artificial Hydrangea Pick
$19.79Small Potted Artificial Plant
$23.75 – $26.39Price range: $23.75 through $26.39Dried Look Artificial Peony Stem
$21.11Artificial Tropical Leaf Stem
$23.75
MOST LOVED
Best sellers
Artificial Larch Branch
$31.67Faux Fir Spray
$31.67Artificial Pine Spray with Cones
$26.39Artificial Sunflower Stem
$31.67Artificial Rose Posy
$38.27Artificial Snake Plant Pick
$15.83Artificial Hydrangea Pick
$19.79Small Potted Artificial Plant
$23.75 – $26.39Price range: $23.75 through $26.39Dried Look Artificial Peony Stem
$21.11
MOST LOVED
Best sellers
Artificial Larch Branch
$31.67Faux Fir Spray
$31.67Artificial Pine Spray with Cones
$26.39Artificial Sunflower Stem
$31.67Artificial Rose Posy
$38.27Artificial Snake Plant Pick
$15.83Artificial Hydrangea Pick
$19.79Small Potted Artificial Plant
$23.75 – $26.39Price range: $23.75 through $26.39Dried Look Artificial Peony Stem
$21.11Artificial Tropical Leaf Stem
$23.75
THE DIFFERENCE
Why it survives a second look
Almost every artificial flower gives itself away in the same three places. Not from across a room — from the distance a guest stands at, a camera shoots from, and a returning customer inspects from.

The petal edge
A real petal fades and browns where it has been open longest, and no two do it the same way. Ours are coated rather than printed, so no two blooms on a stem come out identical.
THE DIFFERENCE
Why it survives a second look
Almost every artificial flower gives itself away in the same three places. Not from across a room — from the distance a guest stands at, a camera shoots from, and a returning customer inspects from.

The petal edge
A real petal fades and browns where it has been open longest, and no two do it the same way. Ours are coated rather than printed, so no two blooms on a stem come out identical.
What each one is for
Realism decides whether a stem convinces. Shape decides where it belongs.
- RosesA face for the front of an arrangement. Three heads carry a narrow vessel on their own.
- OrchidsHeight with almost no width. One arching stem in a tall vase is the whole display.
- Agave & SucculentsSmall, potted, unfussy. Shelves, windowsills and desks where a vase would be in the way.
- FernsGreen mass without flowers. Fills a corner or softens a hard shelf edge.
- MonsteraSingle large leaves used as shape rather than foliage. Strong against a plain wall.
- DaisiesSmall heads that fill the gaps between larger blooms. Rarely the focal point.
- Pampas & GrassesTexture and movement, no colour. Holds a room through winter when nothing is in season.
- Moss & TerrariumA base layer. Covers soil, fills a bowl, sits under a small potted display.
What each one is for
Realism decides whether a stem convinces. Shape decides where it belongs.
- RosesA face for the front of an arrangement. Three heads carry a narrow vessel on their own.
- OrchidsHeight with almost no width. One arching stem in a tall vase is the whole display.
- Agave & SucculentsSmall, potted, unfussy. Shelves, windowsills and desks where a vase would be in the way.
- FernsGreen mass without flowers. Fills a corner or softens a hard shelf edge.
- MonsteraSingle large leaves used as shape rather than foliage. Strong against a plain wall.
- DaisiesSmall heads that fill the gaps between larger blooms. Rarely the focal point.
- Pampas & GrassesTexture and movement, no colour. Holds a room through winter when nothing is in season.
- Moss & TerrariumA base layer. Covers soil, fills a bowl, sits under a small potted display.

DESIGN
Designed as objects, not as bunches
Most artificial flowers are sold by volume — more stems, bigger box, done. That is the wrong unit. What decides whether an arrangement looks designed or merely full is how few things are in it, and how they relate.
So every arrangement here is built the way a florist actually builds one: one thing with a face, one thing with height, and one thing that is deliberately, almost aggressively dull. In this one it is the fern. Take the dull one out and the whole thing collapses.

DESIGN
Designed as objects, not as bunches
Most artificial flowers are sold by volume — more stems, bigger box, done. That is the wrong unit. What decides whether an arrangement looks designed or merely full is how few things are in it, and how they relate.
So every arrangement here is built the way a florist actually builds one: one thing with a face, one thing with height, and one thing that is deliberately, almost aggressively dull. In this one it is the fern. Take the dull one out and the whole thing collapses.

DESIGN
Designed as objects, not as bunches
Most artificial flowers are sold by volume — more stems, bigger box, done. That is the wrong unit. What decides whether an arrangement looks designed or merely full is how few things are in it, and how they relate.
So every arrangement here is built the way a florist actually builds one: one thing with a face, one thing with height, and one thing that is deliberately, almost aggressively dull. In this one it is the fern. Take the dull one out and the whole thing collapses.
Where a living plant struggles
Light, humidity and how often anyone is actually in the room. Each one fails differently, and that changes what belongs there.
Bathroom
Usually no window, and swinging between steam and cold air several times a day. Almost nothing survives it. Small and off the floor works best — a shelf, a cistern, a windowless corner.
Hallway
The darkest room in most houses, and the one nobody stops in long enough to water. It is also the first thing a visitor sees, so it needs something with height and presence rather than something delicate. A tall stem in a narrow vessel does more than a pot on the floor.
Kitchen
Grease in the air, heat from the hob, and a sink that makes it look like watering would be easy. Real flowers drop faster here than anywhere else in the house. Choose pieces that wipe clean and sit away from the cooking line.
Desk & Office
The problem is not light, it is absence. A week away and a living plant is finished. Desk space is also the tightest in the house, so this is where small potted pieces earn their place and a vase would only be in the way.
Bedroom
Nothing here is trying to kill a plant. The reasons are different: pollen, and not wanting something that will quietly rot on a bedside table. Softer colours suit the room, and scale matters more than in any other space — most bedroom surfaces are small.
Living Room
The one room where a real plant would genuinely be fine, so the reason for buying faux is upkeep rather than survival. It is also the most inspected room in the house, which makes it the place to spend on realism rather than on volume.
Most people arrive here looking for plants. In the darker rooms it is worth looking at flowers instead — foliage is judged against a plant everyone has seen growing, while a bloom is not, so a flower holds up in low light where greenery starts to look flat.
WEDDING
Made once, kept forever.
A bridal party is the one flower order where matching matters more than beauty, and the one real flowers handle worst. Ours are made to a specification — the same flowers in the same proportion at the same size, however many you order, whenever you order them. One workshop, so the ivory in the bridesmaids’ posies is the ivory in yours.

WEDDING
Made once, kept forever.
A bridal party is the one flower order where matching matters more than beauty, and the one real flowers handle worst. Ours are made to a specification — the same flowers in the same proportion at the same size, however many you order, whenever you order them. One workshop, so the ivory in the bridesmaids’ posies is the ivory in yours.

WEDDING
Made once, kept forever.
A bridal party is the one flower order where matching matters more than beauty, and the one real flowers handle worst. Ours are made to a specification — the same flowers in the same proportion at the same size, however many you order, whenever you order them. One workshop, so the ivory in the bridesmaids’ posies is the ivory in yours.

JOURNAL
How to choose, and how to use
JOURNAL
How to choose, and how to use
JOURNAL
How to choose, and how to use
Our Story
One workshop, in Shantou. It is my father’s.

He opened it on 3 January 2019, with around fifty people in it. Most workshops in Guangdong compete on how many stems can leave the building in a week. He was more interested in whether a flower survives being picked up — which costs more to build, and turned out to be difficult to sell.
This site exists because I think the problem was the market, not the flowers. I am not a manufacturer and I am not going to pretend to be one. What I do is decide what goes on the site, and say so when I do not know something.
Our Story
One workshop, in Shantou. It is my father’s.

He opened it on 3 January 2019, with around fifty people in it. Most workshops in Guangdong compete on how many stems can leave the building in a week. He was more interested in whether a flower survives being picked up — which costs more to build, and turned out to be difficult to sell.
This site exists because I think the problem was the market, not the flowers. I am not a manufacturer and I am not going to pretend to be one. What I do is decide what goes on the site, and say so when I do not know something.
Our Story
One workshop, in Shantou. It is my father’s.

He opened it on 3 January 2019, with around fifty people in it. Most workshops in Guangdong compete on how many stems can leave the building in a week. He was more interested in whether a flower survives being picked up — which costs more to build, and turned out to be difficult to sell.
This site exists because I think the problem was the market, not the flowers. I am not a manufacturer and I am not going to pretend to be one. What I do is decide what goes on the site, and say so when I do not know something.




































































